(Mostly) true story of Henry Kissinger—a middle-aged, politically washed-up Harvard professor who, in 1968, travels to Paris at the height of its student protests and the dawn of the sexual revolution.

A dramatization of the relationship between Kissinger and Nixon during the six-month period in 1972-73 when Kissinger was negotiating an end to the Vietnam War and Nixon was grandstanding politically.

A dramatization of the relationship between Kissinger and Nixon during the six-month period in 1972-73 when Kissinger was negotiating an end to the Vietnam War and Nixon was grandstanding politically.

Paris Paris is an upcoming Indian Tamil-language comedy-drama film directed by Ramesh Aravind and produced by Manu Kumaran, which is a remake of the 2014 Hindi film Queen by Vikas Bahl.

Love Takes charts the places that love takes us and leaves us as we fall in and out of love over a lifetime. The film combines documentary footage with digital design to explore what we talk about when we talk about love.

Paris is an American television series that appeared on the CBS television network from September 29, 1979 to January 15, 1980. A crime drama, the show is notable as the first-ever appearance of renowned actor James Earl Jones in a lead role on television and was created by Steven Bochco, who later achieved fame for Hill Street Blues and NYPD Blue, also served as executive producer.The program told the story of Los Angeles Police Captain Woody Paris, who supervised a team of young detectives. The rookie investigators were led by Sergeant Stacy Erickson and included officers Charlie Bogart, Ernesto Villas, and Willie Miller. Hank Garrett portrayed Deputy Chief Jerome Bench, Paris' superior, and, in an unusual turn for police dramas of that era, Paris' home and off-duty life was given considerable attention in the plots, with Lee Chamberlin playing his wife, Barbara. Paris was also shown moonlighting as a professor of criminology at a local university.Although Paris was critically acclaimed for its portrayal of the tension between the professional Paris character and his often impetuous underlings, CBS scheduled the show in one of the worst possible timeslots on a weekly schedule: Saturdays at 10 p.m./9 Central. All three networks debuted new shows for the 1979-80 season in that slot; only ABC's Hart to Hart survived its first 13 weeks. Toward the end of its run, CBS moved it to Tuesdays at 10/9, but to no avail. Edward DeBlasio produced the show for MTM Enterprises, which would unveil, during the next season, executive producer Bochco's landmark Hill Street Blues, on NBC.

Paris follows rookie detective Jason Bartok on his disturbing journey through the shadowy underworld of Los Angeles and Las Vegas, illuminated only by a sweet but short-lived romance with a strikingly beautiful, enigmatic woman. As the tale unfolds, Jason accidentally shoots his corrupt partner, Leon, grabbing stolen money from the crime scene at the older policeman's urging. The guilt-ridden young man quickly takes to the road to track down Leon's lover, Linda/Shen Li, an illegal Chinese immigrant, to deliver the bag of cash to her. Jason's search takes in seedy motels and rough bars, an L.A. massage parlor and a Nevada ranch, until finally in a dingy Vegas dive, he discovers the irresistible Linda, a sparkling jewel ensnared by the sex trade. Stalked by thugs, the money's "rightful owners", Jason and Linda are thrust together to make their escape through the haunting landscape that is the California desert.

Paris follows rookie detective Jason Bartok on his disturbing journey through the shadowy underworld of Los Angeles and Las Vegas, illuminated only by a sweet but short-lived romance with a strikingly beautiful, enigmatic woman. As the tale unfolds, Jason accidentally shoots his corrupt partner, Leon, grabbing stolen money from the crime scene at the older policeman's urging. The guilt-ridden young man quickly takes to the road to track down Leon's lover, Linda/Shen Li, an illegal Chinese immigrant, to deliver the bag of cash to her. Jason's search takes in seedy motels and rough bars, an L.A. massage parlor and a Nevada ranch, until finally in a dingy Vegas dive, he discovers the irresistible Linda, a sparkling jewel ensnared by the sex trade. Stalked by thugs, the money's "rightful owners", Jason and Linda are thrust together to make their escape through the haunting landscape that is the California desert.

Greer is a girl on the cusp of womanhood. Like some curious fabled creature she lives in a remote, rundown woodland farmhouse with her Dad, Ivan, a former gamekeeper whose mind has been ravaged by chronic mental illness. Father and daughter are suspected and ostracized by the nearby village. Greer spends her working days tending to elderly, failing residents of the local care-home and the rest of her time looking after her dad. But despite her loving devotion to Ivan, Greer imagines life beyond the narrow confines of her own and is troubled by the heavy burden she bears. Greer romanticises about a life lived in colour. The impossibly glamorous Francoise and Seamus crash into the care-home to visit his mother. Greer is entranced. They seem to epitomize everything she's dreamt of: beauty, success, sophistication and access to the world in all its glory. She attaches herself to them, flattered by their awareness of her and enraptured by the atmosphere of decadence they inhabit.

Ida has just arrived in Oslo to study psychology at the University, after dropping out of her literature studies in Trondheim. Ida's is anxious for most things. Not getting of the bus at the right stop, running out of toilet paper on the public toilet, environmental changes and world war three. But her greatest fear is terror. There is nothing that frightens her more than being a victim of a random attack.